Adulescens amator? Ethos and humorousness in Pamphilus’ discursive construction in Terence’s Hecyra

  • Soledad Correa Conicet - Universidad de Buenos Aires

Keywords:

Terencio, Hecyra, Pamphilus, adulescens amator, humorousness

Abstract

Although being an amator is a feature that defines the adulescens from the point of view of palliata’s code, the present paper argues that part of the humorousness of this character comes from the fact that this is a routine that Pamphilus develops only at a discursive level, which does not correspond to his actions on the stage. A second aspect of his humorousness is based on not being the palliata’s typical indecisive adulescens, since, paradoxically, with his decision to avoid acting, he ends up playing the lead role in the plot development. 

Downloads

Download data is not yet available.

Author Biography

Soledad Correa, Conicet - Universidad de Buenos Aires

Licenciada en Letras (Universidad de Buenos Aires). Doctora en Letras (Universidad Nacional de La Plata). Investigadora Asistente del CONICET. Es autora de “Escritura y autoejemplaridad en la Epistula 30 de Séneca” en Emérita. Revista de Lingüística y Filología Clásica, N°85/1 y de “Naufragium antequam nauem ascenderem feci: naufragio, escritura y autoejemplaridad en las Epistulae Morales de Séneca” en Cuadernos de Filología Clásica. Estudios Latinos 38/1.

References

Kauer, R. y Lindsay, W. (eds.) (1958). P. Terenti Afri. Comoediae (Recognoverunt brevique adnotatione critica instruxerunt, supplementa apparatus curavit O. Skutsch).

Oxford: Clarendon Press. Stella, S. (introduzione e commento) (1980). P. Terenzio Afro. Hecyra. Milano: Signorelli.

Bibliografía citada

Amossy, R. (2010). La présentation de soi. Ethos et identité verbale. Paris: Presses universitaires de France.

Anderson, W.S. (2000). “The Frustration of Anagnorisis in Terence’s Hecyra” en Dickison, S.K.; Hallett, J.P. (eds.). Rome and Her Monuments: Essays on the City and Literature of Rome in Honor of Katherine A. Geffcken, Wauconda, IL.: Bolchazy-Carducci; 311-324.

Anderson, W.S. (2002). “Resistance to Recognition and ‘privileged recognition’ in Terence”: Classical Journal 98; 1-8.

Attardo, S. (1994). Linguistic Theories of Humor. Berlin- New York: Mouton de Gruyter.

Austin, J. C. (1921). The Significant Name in Terence. Chicago: University of Illinois Press.

Cabrillana, C. (2000). “Virtualidades del espacio extra-escénico en la Hecyra de Terencio”: Pallas 54; 269-287.

Duckworth, G. (1952). The Nature of Roman Comedy. A Study in Popular Entertainment. Princeton: Princeton University Press. Dupont, F.; Letessier, P . (2011). Le Théâtre Romain. Paris: Armand Colin.

Espigares Pinilla, A. (2008). “Claves para la historia de un cultismo: «honesto». I. Antigüedad y Edad Media”: Cuadernos de Filología Clásica. Estudios Latinos 28/2; 65-81.

Faure-Ribreau, M. (2012). Pour la beauté du jeu. Paris: Les Belles Lettres. Gellar-Goad, T. H. M. (2013). “Religious Ritual and Family Dynamics in Terence” en Augoustakis, A.; Traill, A. (eds.). A Companion to Terence. Oxford: Blackwell; 156-174.

Goldberg, S. M. (1986). Understanding Terence. Princeton: Princeton University Press. Habinek, T. N. (1998). The Politics of Latin Literature. Writing, identity, and empire in Ancient Rome. Princeton: Princeton University Press.

James, S. L. (2013). “Gender and Sexuality in Terence” en Augoustakis, A.; Traill, A. (eds.). A Companion to Terence. Oxford: Blackwell; 175-194.

Konstan, D. (1983). Roman Comedy. Ithaca & London: Cornell University Press. Knorr, O. (2013). “Hecyra” en Augoustakis, A.; Traill, A. (eds.). A Companion to Terence. Oxford: Blackwell; 295-317.

Lentano, M. (1991). “Patris pudor/matris pietas. Aspetti terminologici e valenze antropologiche del rapporto generazionale in Terenzio”: Aufidus 15; 15-40.

McGarrity, T. (1980). “Reputation vs. reality in Terence’s Hecyra”: Classical Journal 76/2; 149-156. Morton Braund, S. (2005). Satiric Advice on Women and Marriage. From Plautus to Chaucer. Ann Arbor: University of Michigan Press.

Papaioannou, S. (2014). “Terence’s literary self-consciousness and the anxiety of Menander’s influence” en Papaioannou, S. (ed.). Terence and Interpretation. Newcastle upon Tyne: Cambridge University Press; 95-118.

Parker, H. N. (1996). “Plautus vs. Terence: Audience and Popularity ReExamined”: The American Journal of Philology 117/4; 585-617.

Penwill, J. L. (2004). “The Unlovely Lover of Terence’s Hecyra”: Ramus 33/12; 130-149.

Perelli, L. (1973). II teatro rivoluzionario di Terenzio. Firenze: La nuova Italia.

Rosivach, V. J. (1998). When a young man falls in love. The Sexual Exploitation of Women in New Comedy. London & New York: Routledge.

Shelton, J. A. (1998). As the Romans Did: A Sourcebook in Roman Social History. New York: Oxford University Press. Slater, N. W. (1988). “The Fiction of Patriarchy in Terence’s Hecyra”: Classical World 81; 249-260.

Suárez, M. (2019). “El atractivo cómico de Hecyra” en Diolaiti, E.; Suárez, M. (comp.), Comicidad, Humor y Performance en Terencio. Colección Textos y Estudios. Instituto de Filología Clásica, Facultad de Filosofía y Letras, UBA (en prensa).

Zoccola, V. (2007). “L’ironia nell’Hecyra di Terenzio”: Orpheus 28; 265-301.

Published

2020-02-06

How to Cite

Correa, S. (2020). Adulescens amator? Ethos and humorousness in Pamphilus’ discursive construction in Terence’s Hecyra. Circe De clásicos Y Modernos, 23(2), 57–72. Retrieved from https://ojs.unlpam.edu.ar/ojs/index.php/circe/article/view/4341