Literature and film: movement and transposition in Yo, la peor de todas by María Luisa Bemberg
Abstract
El objetivo de este trabajo es analizar el filme Yo. la peor de rodas, de María Luisa Bernberg, en relación con Respuesta a Sor Filotea de la Cruz, de Sor Juana Inés de la Cruz, y el ensayo de Octavio Paz, Sor Juana Inés de la Cruz o las trampas de la fe. Nos detenemos especialmente en los procesos retóricos del filme y de los textos mencionados así como en las instancias modelizadoras intermedias que determinan la transposición de elementos sígnicos de un sistema semiótico a otro.
Downloads
Downloads
Published
Issue
Section
License
Copyright (c) 2017 Anclajes
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors must adhere to the Creative Commons license called "Attribution - Non-Commercial - Share Alike CC BY-NC-SA", through which it is allowed to copy, reproduce, distribute, publicly communicate the work and generate derivative works, provided and when the original author is cited and acknowledged. However, it is not allowed to use the work or its possible derivative works for commercial purposes. The authors may establish additional agreements for the non-exclusive distribution of the version of the work published in the journal (for example, place it in an institutional repository or publish it in a book), with the acknowledgment of having been first published in this journal.
The publication of contents in this journal does not imply any royalty or charge for the contributors.
.png)